Concept sketch

Axonometric drawings of the construction phases

View from the adjacent transport company.

A site surrounded by infrastructure on all sides.

View from railway 11.

View from the main road.

North West elevation.

Nort East elevation. The covered outdoor sportsfield marks the corner that is most visible to the highway.

South east facade. A domestic floor on top of two utilitarian floors.

Staff entrance.

Front facade.

Access to the vehicle hall: glazed gates, fire poles and staircase.

Staircase: view to the vehicle hall and the office.

Upper floor staircase, hallway and patio. First floor office with a direct view to the vehicle hall.

Outdoor sportsfield.

Fire Station in the docklands

Antwerp

Siteplan. A dot in a landscape of boxes.

Ground floor: entrance, garage, atelier.

First floor: Office and changing rooms wrapped around the garage.

The domestic level on the second floor around a patio: living room, kitchen, fitness, outdoor sportsfield, sleeping rooms.

We took a conciliatory approach when designing a Fire Station in the stark Antwerp docklands. Drawing inspiration from the wooden structures that once graced the historic port, the building features subtle height variations that define the different sections. The upper floors, which include living spaces such as sleeping quarters and a kitchen, are arranged around a central patio. The penthouse, accessible via a generous staircase, offers a comforting retreat from the surrounding desolation.

The offices and locker rooms function as a transitional zone between the residential and operational areas, establishing a visual connection between the fire engines and the street. The wooden gunwale cladding complements the industrial environment, while the penthouse area exudes a more residential atmosphere. Additionally, the sports area, with its open trelliswork, acts as a prominent landmark visible from the motorway.

  • Design teamDirk Somers, Eline Aerts & Sidse Hald
  • LocationAntwerp
  • Year2010 - 2014
  • ClientAG Vespa
  • PhotographyFilip Dujardin